Publicada em: 23/06/2015 às 15:05 |
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Narrativa da perda e do reencontro: uma leitura do roteiro de Central do Brasil
Palavras-chave
This article is about the motion picture Central Station, directed by Walter Salles, particularly leaning over its dramaturgy. It observes how Salles’ screenplay was conceived, taking relevant aspects from its narrative from the structure point of view, as for example the existence of three acts. The study investigates the characters’ composition and themes such as the memory, the fatherly absence and the losses, among other aspects herein pondered by screenplay theorists and philosophers such as Henri Bergson. Keywords
Narrativa da perda e do reencontro: uma leitura do roteiro de Central do Brasil |
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