Publicada em: 24/11/2006 às 09:23
O texto, o filme e a releitura: textualidades erefigurações narrativas em Porto das Caixas
This article brings up aspects of the cinematographic and literary narratives specifically focused on the film “Porto das Caixas”. Our target is to visualize, in an accurate way, the existing specificities in the original work written by Lúcio Cardoso comparing to what was accomplished by the director Paulo César Saraceni and the photographer, Mário Carneiro.
Hence, three sequences were chosen - the crime, the date in the amusement park and the end - in order to visualize the text transposition aspects specially written to the cinemato-graphic composition, we are mainly concentrated in the interference of Mário Carneiro´s photograph, which is our analysis goal.
O texto, o filme e a releitura: textualidades e
refigurações narrativas em Porto das Caixas