Publicada em: 04/12/2011 às 11:53 |
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Encontro, condução e costura: o espelho sem face de Santiago
Palavras-chave
The process of producing a documentary film is divided into three defined moments here that call for meeting, leading and sewing. These are respectively the time of the director is broken by an object, after, the way he plays with that object and finally, how it presents us, from a subjective organization, this object. Here, with the backdrop of the movie Santiago, we propose a draft of these three stages supported by the dialogue between the cinema and art of the psyche, psychoanalysis. Sketch that you want to define two realities that clash during this process, the daily reality and kino-fictional. Better understand this interplay between the director and persona is fundamental importance for a better foundation of the production process of a film. Keywords
Encontro, condução e costura: o espelho sem face de Santiago |
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