Publicada em: 28/09/2004 às 14:01 |
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Palavras-chave
Taking into consideration that the appearance of new techniques corresponds to a historical change in human perception, it is proposed here to reflect the interactions between contemporary literature and digital and audiovisual technologies. It is established then a dialogue between television and computer science aesthetics, such as zapping and hypertextual way of reading, and rhetorical strategies used in Luiz Ruffato´s narrative eles eram muito cavalos; O filho do crucificado, by Nelson de Oliveira; Diário de um fescenino, by Rubem Fonseca; and 100 coisas, by Fernando Bonassi. Key-words
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